Informed by animal-inspired aesthetic strategies of un-knowing and un-naming, the exhibition’s elements included camouflage tactics of seeing and not being seen, an olfactory camouflage perfume, and a floor graphic based on the flow of trusted information within a ground squirrel social network that became a score for a scent sharing ritual and dance and vocal performance.

Although human ways of knowing through verbal language may exceed that of other animals, more-than-human animal’s ways of knowing through sensation exceed human language.